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Deborah J. Brasket

~ Living on the Edge of the Wild

Deborah J. Brasket

Tag Archives: Sohan Qadri

Tapping into the Unconscious – The Art of Sohan Qadri

16 Sunday Feb 2020

Posted by deborahbrasket in Art, Human Consciousness, Spirituality

≈ 10 Comments

Tags

abstract art, art, artists, Consciousness, creativity, inspiration, personal, Sohan Qadri, spirituality, the creative process

sohan-qadri-yogi-poet-and-painter-01

When I first encountered one of Sohan Qadri’s paintings, I was plunged like a pebble into a still pool, radiating ripples of bliss.

An overstatement? I don’t think so.

The effect was profound, even if the words I use to capture it fail.

“A synthesis of emptiness and peace, radiating power,” is what Qadri is trying to express in his art, he writes.

”Art can have the same effect as meditation,” he tells us, “but only if we drop our constantly interpretating mind and learn to simply see . . . . This can happen if you grasp the painting at a subliminal level, let it filter in through your pores.”

sohan-qadri-yogi-poet-and-painter-13-700x930

With me at least, he succeeded.

His work is made from thick soft paper deeply saturated in brilliant colors, punctuated by ragged tears and rips, wavering furrows and trails of tiny pinpricks, like scattered drops of light–or bread crumbs — leading toward the vast unconscious.

“When I start on a canvas,” he explains, “first I empty my mind of all images. They dissolve into a primordial space. Only emptiness should communicate with the emptiness of the canvas.”

“People are always interested in dreams. I am interested in the question: ‘Who is the dreamer?’” Qadri writes. “I would like to know: ‘Who is the artist behind the artist?’”

sohan-qadri-yogi-poet-and-painter-16

When I entered his painting, I felt the presence of the artist behind the artist.

I think I was drawn to his work because when I’m writing, in some way, I am always trying to do that as well, tap into the writer behind the writer.

At my best writing, I feel as if it’s not “me” writing, but something writing through me, beyond me.

As writers and artists, I think we are seeking to move beyond ourselves, dip our pens and brushes into the deep storehouse of the unconscious, the rich field of the imagination, where colors and forms and images and emotions flow.

We tap into it and let it flow out through us, filtered by our experiences and sensibilities, onto paper or canvas.sohan

Readers and art lovers are also seeking to move beyond themselves, to be swept away into other worlds–magical realms or gripping tales created by words, or rich fields of form and color beyond conceptual thought.

horan232 Sohan Qadri purusha

The best writing, the best art, for me is when we feel the presence of the creator behind the creator, and recognize, if only for a moment, the face of our larger selves.

This post was first published in a slightly different format in June 2013.

 

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Favorite Pairings – Peace and Power in Art & Music

17 Thursday Aug 2017

Posted by deborahbrasket in Art, music, Spirituality

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art, inspiration, Joep Franssens, meditation, music, Paintings, peace, power, Sohan Qadri, spirituality

sohan-qadri-yogi-poet-and-painter-01

Joep Franssens’ Harmony of the Spheres and the art of Sohan Qadri

Both express the sense of peace and power that comes from mediation and tapping into the Unconscious. A powerful duo. Enjoy.

 

sohan-qadri-yogi-poet-and-painter-13-700x930

Image result for sohan qadri paintings

Image result for sohan qadri paintings

Image result for sohan qadri paintings

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“Taste and see – I am spare”

09 Thursday Jan 2014

Posted by deborahbrasket in Art, My Writing, Poetry, Spirituality, Uncategorized

≈ 25 Comments

Tags

art, entelechy, human consciousness, identity, Philosophy, poetry, Sohan Qadri, spirituality, writing

sohan-qadri-yogi-poet-and-painter-18That age-old question “who am I?” haunts us from birth. We sense we are more than what we seem to be, more than the sum of our parts, more than this thread of life that spans so short a distance.

Sometimes a felt-sense of that “something more” emerges in consciousness with a ring of clarity–then fades just as quickly. Sometimes if we are quick or lucky or persistent, we capture what we sensed in a word or image, a poem or song.

What we capture is always an echo of what we’re trying to get at, a finger pointing to the moon, not the thing itself.

The following poem is trying to capture that “something more.” I titled it “entelechy” which is a philosophical term that denotes both the perfect essence of an object or person, and that which propels it toward self-fulfillment. This is the closest I could come in finding a word to capture what I was after.

Entelechy

I am spare

I am clean uncluttered space

I am a fine line curving inward and out

I am a high sweet note wrung from the still air

I am a cup of cool water drawn from the clear stream

I am bone bleached and bare, tossed upon a windswept shore

Taste and see

I am spare

In some ways, this poem is like a prayer. When I am confused, or out of sorts, or besides myself, I turn to it to remind me of that something more or something deeper that I am at heart. Meditating upon these images brings me home to myself.

I am not sure if the poem will mean anything to anyone but me, but I wanted to share it here.

The artwork by Sohan Qadri that precedes these words captures for me, so beautifully, that same essence. I wrote another post about his artwork and what it means to me here.

The Art of Sohan Qadri

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The Art of Sohan Qadri – Tapping into the Unconscious

09 Sunday Jun 2013

Posted by deborahbrasket in Art, Culture, Spirituality, The Writing Process, Writing

≈ 16 Comments

Tags

art, human consciousness, meditation, Sohan Qadri, spirituality, Visual Arts, writing

sohan-qadri-yogi-poet-and-painter-01When I first encountered one of Sohan Qadri’s paintings, I was plunged like a pebble into a still pool, radiating ripples of bliss.

An overstatement? I don’t think so.

The effect was profound, even if the words I use to capture it fail.

“A synthesis of emptiness and peace, radiating power,” is what Qadri is trying to express in his art, he writes.

”Art can have the same effect as meditation,” he tells us, “but only if we drop our constantly interpretating mind and learn to simply see . . . . This can happen if you grasp the painting at a subliminal level, let it filter in through your pores.”

sohan-qadri-yogi-poet-and-painter-13-700x930With me at least, he succeeded.

His work is made from thick soft paper deeply saturated in brilliant colors, punctuated by ragged tears and rips, wavering furrows and trails of tiny pinpricks, like scattered drops of light–or bread crumbs — leading toward the vast unconscious.

“When I start on a canvas,” he explains, “first I empty my mind of all images. They dissolve into a primordial space. Only emptiness should communicate with the emptiness of the canvas.”

“People are always interested in dreams. I am interested in the question: ‘Who is the dreamer?’” Qadri writes. “I would like to know: ‘Who is the artist behind the artist?’”

sohan-qadri-yogi-poet-and-painter-16When I entered his painting, I felt the presence of the artist behind the artist.

I think I was drawn to his work because when I’m writing, in some way, I am always trying to do that as well, tap into the writer behind the writer.

At my best writing, I feel as if it’s not “me” writing, but something writing through me, beyond me.

As writers and artists, I think we are seeking to move beyond ourselves, dip our pens and brushes into the deep storehouse of the unconscious, the rich field of the imagination, where colors and forms and images and emotions flow.

We tap into it and let it flow out through us, filtered by our experiences and sensibilities, onto paper or canvas.sohan

Readers and art lovers are also seeking to move beyond themselves, to be swept away into other worlds–magical realms or gripping tales created by words, or rich fields of form and color beyond conceptual thought.

horan232 Sohan Qadri purushaThe best writing, the best art, for me is when we feel the presence of the creator behind the creator, and recognize, if only for a moment, the face of our larger selves.

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After sailing around the world in a small boat for six years, I came to appreciate how tiny and insignificant we humans appear in our natural and untamed surroundings, living always on the edge of the wild, into which we are embedded even while being that thing which sets us apart. Now living again on the edge of the wild in a home that borders a nature preserve, I am re-exploring what it means to be human in a more than human world.

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