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Deborah J. Brasket

~ Living on the Edge of the Wild

Deborah J. Brasket

Tag Archives: loss

To Crave & To Have: A Thing & Its Shadow

21 Tuesday Jan 2020

Posted by deborahbrasket in Love, Spirituality

≈ 6 Comments

Tags

desire, loss, Marilynne Robinson, Metaphysics, personal, Philosophy, quote

photo by Edward Steichen - the beauty we love: farewell letter

Photo by Edward Steichen

To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing–the world will be made whole. For to wish for a hand on one’s hair is all but to feel it. So whatever we may lose, very craving gives it back to us again. — Marilynne Robinson, Housekeeping (Farrar, Straus, and Giroux, 1980)

I wonder, is this true?

Certainly, sometimes the thing we’ve craved, once held in hand, does not live up to what was rounded out in exquisite detail when beheld in mind. Nor does the thing in hand last quite as long, if the thing we crave is not an object we can possess.

But is the thing in hand a mere shadow of the thing we craved for?

Is the matter-object we hold for but a moment in our hand less substantial than the ideal we crave and can bring to mind at moment’s notice and hold onto forever?

Sometimes I like to think so. I like to think those we’ve lost that are dear are as close as our thoughts of them fleshed out by memory and imagination. By a pure, keenly-honed desire to have and hold. Desire as sharp and hot as a welder’s flame.

I like to think that all I love and long for–that deeply felt-sense of them–is never lost. It’s shadow-substance may come and go and disappear as things do in a world of constant change. But its essence, the thing-in-itself that ever was, remains.

Brighter, clearer, than when held in hand.

Sweeter, purer than before.

The clean, keen edge of it never lost. Never wavering.

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Loss & Desire, and the Search for Something More, in Life & Literature

31 Wednesday Jan 2018

Posted by deborahbrasket in Poetry, The Writing Process, Writing

≈ 10 Comments

Tags

amwriting, desire, life, literature, loss, Novel, poetry, writing, writing process

Paradise_Lost_16

These are the themes that run through so much of what I’m compelled to write about. No doubt because they are the great themes running through all the arts, through myth, religion, psychology–through life itself.

The poem below captures that so eloquently.

Meditation at Lagunitas

By Robert Hass

All the new thinking is about loss.
In this it resembles all the old thinking.
The idea, for example, that each particular erases
the luminous clarity of a general idea. That the clown-
faced woodpecker probing the dead sculpted trunk
of that black birch is, by his presence,
some tragic falling off from a first world
of undivided light. Or the other notion that,
because there is in this world no one thing
to which the bramble of blackberry corresponds,
a word is elegy to what it signifies.
We talked about it late last night and in the voice
of my friend, there was a thin wire of grief, a tone
almost querulous. After a while I understood that,
talking this way, everything dissolves: justice,
pine, hair, woman, you and I. There was a woman
I made love to and I remembered how, holding
her small shoulders in my hands sometimes,
I felt a violent wonder at her presence
like a thirst for salt, for my childhood river
with its island willows, silly music from the pleasure boat,
muddy places where we caught the little orange-silver fish
called pumpkinseed. It hardly had to do with her.
Longing, we say, because desire is full
of endless distances. I must have been the same to her.
But I remember so much, the way her hands dismantled bread,
the thing her father said that hurt her, what
she dreamed. There are moments when the body is as numinous
as words, days that are the good flesh continuing.
Such tenderness, those afternoons and evenings,
saying blackberry, blackberry, blackberry.

So much here resonates with me:

  • how “each particular erases the luminous clarity of a general idea,”
  • how each particular presence is “some tragic falling off from a first world of undivided light,”
  • how “a word is elegy to what it signifies,”
  • how “desire is full of endless distances,”
  • including “the moments when body is as numinous as words.”

I wrote a series of blog posts several years ago about how these themes are developed in Milton’s Paradise Lost, Wordsworth’s Prelude, and Lacan’s Mirror State, starting with Some Tragic Falling Off into Difference and Desire.

I wrote in Our Quest for Wholeness:

Writers of fiction know that to create a compelling story that keeps readers turning pages we must:

  • Create a protagonist with an overarching need or desire (derived from some sense of loss, of being wounded, or incomplete)
  • beset by constant conflict that intensifies and delays achievement of that desire (to gain what was lost, find healing or wholeness)
  • until that need or desire is eventually realized (or not), but either way,
    leaving the protagonist in a better place (happier, wiser, more whole) than where she had been before the story began,
  • having learned something important or significant about herself, the world she lives in, or what it means to be human.

What drives the story and develops the character is a quest to return to wholeness, to regain what was lost. But what is regained is never simply what was lost, but “something more.” Some new realization– wisdom chiseled from the hard knocks and setbacks of a difficult journey, insights into human nature that will light her path moving forward.

Perhaps we find these stories so compelling because they parallel our own psychic development from the womb to maturity and beyond.

I should not have been surprised when rereading and editing my novel to find these themes repeated in each character’s journey from loss and desire to the search for “something more.”

But I was surprised. Perhaps even as we all are surprised to find it running through our own personal history and journeys. We are so close to it that even while we know it is there, we miss it in the particularity of the moment, in the ordinary humdrum of each day. We have to step back, way back, to see it, the path behind and before us. Even then, which fork will we take next? Which way will our lives unfold? It’s all part of the mystery of being, even being ourselves.

I’ll be exploring this more in future blog posts.

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“Some Tragic Falling Off” into Difference and Desire

19 Sunday Jan 2014

Posted by deborahbrasket in Creative Nonfiction, Culture, Human Consciousness, Poetry

≈ 18 Comments

Tags

desire, Duality, human nature, Jacques Lacan, loss, meaning of life, Milton, Philosophy, Psychology, Wordsworth

800px-John_William_Waterhouse_-_Echo_and_Narcissus_-_Google_Art_ProjectI’ve been thinking a lot about desire and loss lately and remembering a paper I wrote exploring this topic. It began with a quotation from Robert Hass’s poem “Meditation at Lagunitas” which I posted here last week. The poem begins this way:

All the new thinking is about loss.
In this it resembles all the old thinking.
The idea, for example, that each particular erases
the luminous clarity of a general idea. That the clown-
faced woodpecker probing the dead sculpted trunk
of that black birch is, by his presence,
some tragic falling off from a first world
of undivided light.

All the old thinking and new thinking is not only about loss, but also about desire, about returning to that “first world of undivided light.” About regaining what was lost.

The quotation above is followed by this one:

“We are all inescapable dualists—for Lacanian, not Cartesian, reasons.” – Charles Alteri

It strikes me that these are the great themes that are explored over and over again in all great poetry, literature, art, religion, science, psychology, philosophy—is it not? Groping for “something more,” something just out of reach. Feeling a sense of loss, of incompleteness, and seeking what will make us whole.

My paper starts off this way:

If duality arises from difference, difference from separation, and separation is accompanied by a sense of loss and desire, then it could be said that duality, difference, and desire presuppose “some tragic falling off” from an original–mythical or otherwise–world of undivided wholeness.

Milton’s Paradise Lost, Wordsworth’s Prelude, and Jacques Lacan’s lectures on psychoanalysis all repeat at various levels this elemental theme of difference, loss and desire. What Milton treats at a cosmic and theological level, Wordsworth treats at a temporal and personal level, and Lacan treats linguistically and psychologically. In each, however, language is instrumental not only in the initiation of difference, but in the formulation of a desire which may turn it back toward a redemptive reunion.

The paper was written for academics, but the ideas explored are relevant for all of us, for writers in particular, and for anyone grasping at the meaning of life, or seeking a sense of wholeness.

I’ll be exploring this topic in the next few posts, and I hope you will join me. It’s a huge topic, with so many implications. I’d love to hear your ideas and insights.

Here are links to the rest of the series:

Part II – Our Quest for Wholeness

Part III – A Poet’s “Sense Sublime”

Part IV – “Thou Art That”

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Meditation at Lagunitas by Robert Hass

16 Thursday Jan 2014

Posted by deborahbrasket in Human Consciousness, Nature, Poetry, Spirituality, Writing

≈ 4 Comments

Tags

beauty, desire, loss, meditation, Meditation at Lagunitas, Nature, poetry, Robert Hass

800px-James_Clarke_Hook_-_Blackberry_Picking Public domainMeditation at Lagunitas

By Robert Hass

All the new thinking is about loss.
In this it resembles all the old thinking.
The idea, for example, that each particular erases
the luminous clarity of a general idea. That the clown-
faced woodpecker probing the dead sculpted trunk
of that black birch is, by his presence,
some tragic falling off from a first world
of undivided light. Or the other notion that,
because there is in this world no one thing
to which the bramble of blackberry corresponds,
a word is elegy to what it signifies.
We talked about it late last night and in the voice
of my friend, there was a thin wire of grief, a tone
almost querulous. After a while I understood that,
talking this way, everything dissolves: justice,
pine, hair, woman, you and I. There was a woman
I made love to and I remembered how, holding
her small shoulders in my hands sometimes,
I felt a violent wonder at her presence
like a thirst for salt, for my childhood river
with its island willows, silly music from the pleasure boat,
muddy places where we caught the little orange-silver fish
called pumpkinseed. It hardly had to do with her.
Longing, we say, because desire is full
of endless distances. I must have been the same to her.
But I remember so much, the way her hands dismantled bread,
the thing her father said that hurt her, what
she dreamed. There are moments when the body is as numinous
as words, days that are the good flesh continuing.
Such tenderness, those afternoons and evenings,
saying blackberry, blackberry, blackberry.

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After sailing around the world in a small boat for six years, I came to appreciate how tiny and insignificant we humans appear in our natural and untamed surroundings, living always on the edge of the wild, into which we are embedded even while being that thing which sets us apart. Now living again on the edge of the wild in a home that borders a nature preserve, I am re-exploring what it means to be human in a more than human world.

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