Lately I’ve been waking to a mist-washed world, hills and trees dissolving into each other. I’ve long been drawn to these kinds of images. Part of it is the feel for the ephemeral and mysterious, things half formed, half hidden, emerging from a soft nebulous background.

Things caught in a state of transition, in the midst of becoming what is or could be. Or slowly dissolving back into mere mist or shadow, what was or could have been.

Some of my fascination has to do with the contrast between the softness and starkness of the images, how things are reduced to their elemental forms the way black and white photos will do.

All but the starkest, darkest trunks and branches revealed while the fog swallows the rest. All that’s left is the essential, the finely sculpted, restrained and elegant.

Bare branches naked and exposed, lifted in soft white hands

I think images of mist and fog speak to me because they ring true. They reveal in stark and dreamy notes how ephemeral it all is, this life we live, the forms and forces of nature. All in flux, in constant motion, emerging and dissolving over and over, without end.

The first law of thermodynamics states how energy changes from one form to another, but never disappears.

The new fourth law proposed by some scientists is still uncertain, but moving toward the emergent, a law of motion where things are constantly pushed to the edge of chaos and the brink of “perpetual novelty.” An immense field of endless potentiality.

At noon in full summer, in the bright sunshine, with all our leaves shimmering, richly detailed, brimming lushly, dripping with color, we hold life firmly in hand, our hearts aching with joy, with the pure bliss of being, and we think we will last forever.

But when the day is in transition, at dawn or dusk, emerging from darkness or drifting toward it, when mist or fog hides all but the faint essential lines of life, we see a starker and at the same time softer reality. But just as beautiful, and just as enduring.

For what could be more constant and eternal than the fleeting?

Or that which emerges, fragile and half-formed, from the fertile wombs of earth and stars, seas and seeds, dreams and desires and the lusts of ages that brought us all to the brink of being.

Are you drawn to these kinds of images too? I’d love to hear your thoughts.

[Drawn from the archives as I work feverishly on my next novel.]

---

I think I’m drawn to these kinds of images, too, because they remind me of the writing process, how sentences and scenes and whole conversations emerge from such a murky field as the subconscious. Such was the way with my debut novel When Things Go Missing.

If you haven’t had a chance to read it yet, it’s available at Amazon, Bookshop, Barnes & Noble and other major retailers. If you have read it, please leave a review on Amazon. They say 50 reviews are needed to get the algorithms working in your favor. Many, many thanks!