Tags
art, e.e. cummings, inspiration, Nature, Paul Klee, playfullness, poetry, Spring, welcome spring

What better way to welcome our mud-luscious Spring into the world again than with the glee-scrumptious poetry and paintings of E.E. Cummings and Paul Klee?
I’ve long been a fan of both and for similar reasons: their playfulness and sense of excitement, as if “bursting with something very important and precise to say,” as one critic writes of Cummings’ work.
They dared to take their art in new and often jarring directions, playing with syntax and form, with color and composition. The reader/viewer is forced to see things in a new way. To question old ways of looking at the world.
Beneath the playfulness, something deeper is going on. Each bends toward the light.
“Everything passes, and what remains of former times, what remains of life, is the spiritual. In everything we do, the claim of the Absolute is unchanging.” – Paul Klee
“Love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun, more last than star.” – e.e. cummings
A few spring-flavored paintings and love-leaping poems follow.

[in Just-]
BY E. E. CUMMINGS
in Just-
spring when the world is mud-
luscious the little
lame balloonman
whistles far and wee
and eddieandbill come
running from marbles and
piracies and it’s
spring
when the world is puddle-wonderful
the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hop-scotch and jump-rope and
it’s
spring
and
the
goat-footed
balloonMan whistles
far
and
wee

i thank You God for this amazing
e.e cummings
i thank You God for most this amazing
day: for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes
(i who have died am alive again today,
and this is the sun’s birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)
how should tasting touching hearing seeing
breathing any—lifted from the no
of all nothing—human merely being
doubt unimaginable You?
(now the ears of my ears awake and
now the eyes of my eyes are opened)

somewhere i have never travelled, gladly beyond
By E. E. Cummings, 1894 – 1962
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously)her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

Discover more from Deborah J. Brasket, Author
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Fantastic post, Deborah! (Of course you’ve tapped into two of my all-time favs. 🙂 ) I think it’s brilliant to combine their work in this wonderfully curated way. As you say, “Beneath the playfulness, something deeper is going on. Each bends toward the light.”
Landscape with Yellow Birds is one of my favorites! 🙂
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Thank you, Camilla! I love that Landscape with Yellow Birds too. It was new to me, that and the one with the umbrella. The others are old favorites. It’s always fun to discover new (to me) paintings and poems.
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A good combination of visual and verbal. Cummings sure was idiosyncratic in wending his way through words.
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Thanks, Steve. Yes, Cummings is amazing with the way he plays with words and meaning. I haven’t seen any other poet be able to pull it off the way he does.
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Oh, and few Americans know that Klee in German means the same as its native English relative clover.
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I’m one of those few who didn’t know that! It’s interesting two that Klee and Cummings were creating around the same times. Klee got caught in Hitler aggression, his work was banned, but was able to get out.
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Fun and spring-y hopeful!
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Thanks, Laura. I was going for that vibe!
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Klee and Cummings fit together so perfectly, Deborah. Who knew?
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I’m glad you think so too, Mitch. So nice to see you here. Thank you for reading and responding. It means a lot.
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My pleasure, truly.
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Passing a verse of your ee forward to my readers with grateful mention 🙏
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So happy you are sharing ee with others! Thanks for letting me know.
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Great combination, Deborah!
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Thank you, Davis!
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;>)
j
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